Sunday, June 9, 2013

Download Ebook The Collector’s Apprentice: A Novel, by B. A. Shapiro

Download Ebook The Collector’s Apprentice: A Novel, by B. A. Shapiro

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The Collector’s Apprentice: A Novel, by B. A. Shapiro

The Collector’s Apprentice: A Novel, by B. A. Shapiro


The Collector’s Apprentice: A Novel, by B. A. Shapiro


Download Ebook The Collector’s Apprentice: A Novel, by B. A. Shapiro

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The Collector’s Apprentice: A Novel, by B. A. Shapiro

Review

“Shapiro delivers a clever and complex tale of art fraud, theft, scandal, murder, and revenge. [Her] portrayal of the 1920s art scene in Paris and Philadelphia is vibrant, and is populated by figures like Alice B. Toklas and Thornton Wilder; readers will be swept away by this thoroughly rewarding novel.”—Publishers Weekly “Lush, atmospheric . . . Shapiro’s romantic and suspenseful art thriller will delight historical- and crime-fiction fans.”—Booklist “B.A. Shapiro is back with a platinum potion of art, love, and scandal, set against the big backdrop of Paris between the wars. If you can put The Collector’s Apprentice down, you’re made of stronger stuff than I am. I read it in one sumptuous sitting. This is a big story, from a big talent.”  —Jacquelyn Mitchard, author of The Deep End of the Ocean “Dazzling and seductive, The Collector’s Apprentice is a tour de force—an exhilarating tale of shifting identities, desire, and intrigue set between 1920s Paris and Philadelphia. Shapiro is a master at melding historical and fictional characters to bring the past alive on the page, and in The Collector’s Apprentice she has forged an exquisite, multilayered story that maps the cogent and singular fire of a young woman’s ambition and the risks she will take for the sake of art.”    —Dawn Tripp, bestselling author of Georgia “I was engrossed in every twist and turn in this compulsively captivating page-turner, all the way until its astonishing denouement. Shapiro has done it again!”—Thrity Umrigar, bestselling author of The Space Between Us “A seamless blend of art history set against a wider historical backdrop.”—Detroit Jewish News   “In prose lush with post-Impressionist art history, Shapiro's intriguing novel presents a heroine either evil or sympathetic—until the very end.”—Shelf Awareness   “Shapiro packs her novel with intrigues and mysteries . . . Readers will . . . be charmed.”—Chapter16.org    “B. A. Shapiro delivers another dose of art history, wrapped tightly in a thriller.”—New York Journal of Books   “Shapiro creates a complex, detailed, and historically-accurate world, and the lack of any straightforwardly heroic characters, along with a superb depiction of the glamorous 1920s Parisian art scene, makes this novel a standout among dark, twisting historical mysteries.”—San Francisco Book Review

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About the Author

B. A. Shapiro is the author of the award-winning New York Times bestseller The Art Forger and the bestseller The Muralist. She has taught sociology at Tufts University and creative writing at Northeastern University and lives in Boston with her husband, Dan, and their dog, Sagan. Her website is www.bashapirobooks.com.

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Product details

Hardcover: 352 pages

Publisher: Algonquin Books; 1st Edition edition (October 16, 2018)

Language: English

ISBN-10: 1616203587

ISBN-13: 978-1616203580

Product Dimensions:

6.5 x 1.2 x 9.2 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

43 customer reviews

Amazon Best Sellers Rank:

#63,561 in Books (See Top 100 in Books)

Since I absolutely love The Art Forger, I was looking forward to a similarly engaging story. While well written, the book’s main characters left me cold and disinterested in their development. Perhaps it was the author’s intention to portray them as disagreeable and manipulative; if so, she succeeded. It was hard slogging to finish the book because I really couldn’t care about what happened to the characters.

I loved The Art Forger and The Muralist. Her third novel fell short. The assembling, displaying and “looting” of the Impressionist and Post Impressionist paintings owned by Barnes should have served as an exciting backdrop for an art-focused historical fiction. Her insight into Matisse and what he and his peers were trying to achieve was well done. By Barnes was inadequately developed, and his relationships with his wife, chief of staff and the key patrons of the Philadelphia Museum of Art were disappointingly shallow.

This is the most interesting book I have read in a long time. Wonderful, complex reading for those interested in art, art history, aesthetics, the 1920s decade...the list goes on. Shapiro has a fine hand when it comes to the English language; she wields this admirable asset deftly and effectively. Example: Descriptive passages allowing the reader to visualize. She challenges the reader to keep up, and this is one of her many strengths. Example: Moving the story through time and space with ease and facility. The story includes many historical characters who speaks as they would have spoken. Warning: Do not start this book at bedtime. You won't be able to stop. I loved it.

I love the premise of the novel, and the way fact and fiction are interwoven. Clearly, Shapiro did a lot of research. I am an artist so I did not have to look up any of the artworks. However, Shapiro used a lot of cliches and skimmed too quickly over some parts. I felt like her editors/publisher gave her a word limit and super tight deadline. I would much prefer to read a book that is twenty pages longer and have it go smoothly.

I anxiously await books from B AShapiro after reading The Art Forger, which was so good! The Collectors Apprentice is not at the same level....I didn’t find the characters that interesting or appealing....they seemed very flat. The pacing seemed forced, all in the service of moving the story along but not particularly interesting. It maybe was a fine book but I started with higher expectations for it so was a bit disappointed.

I was disappointed in this book it was not nearly as captivating as her earlier books. I found the language too simplistic and the plot boring. And I usually love books about art and art history. This one I put aside half read

In an atypical afterword for an art history novel, Shapiro describes what is fact and what is invention in her story. Which shouldn't encourage us to read historical fiction as merely dramatized history.

I love the way this book mixed facts with fiction in the art world. It was a fast enjoyable read. As usual I am never disappointed with this author’s writing and look forward to her books.

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